SPRING 2001

Please Welcome our New Executive Director

Stephen Hague joined us on April 2, 2001, as our new Executive Director. Stephen comes to us from Linacre College in Oxford, England, where he has been responsible for the College development program. His past experience includes four years as Executive Director of The Highlands Historical Society here in Philadelphia and two years as Director and Instructor of History at The Abraham Lincoln Museum in Tennessee. His degrees include a BA in history from SUNY-Binghamton, NY, a MA in History from the University of Virginia, and most recently a MA from the University of Oxford. His background includes a number of publications and invited lectures. Stephen's background in fundraising and grantwriting will be most valuable to Stenton as we move into the next phase of development. On his way back to the U. S. from the U.K., Stephen visited Logan descendants Cory and Kate Luxmoore and since his return, he joined the Education Committee meetings before his official start date; we love his enthusiasm.

 

Farewell to Margo Burnette

In December, Margo Burnette announced that she planned to retire so that she will have more time to travel with her husband, Charles. Margo has served as Executive Director of Stenton for over five years during a critical time in our development. She has positioned Stenton to be able to compete with other well-respected museum properties. During her tenure,the NSCDA granted accreditation, a demanding process in which every aspect of professional museum management was reviewed. Policies were developed including an emergency plan, a collections policy, organizational structure and management. Numerous projects were undertaken under her guidance such as collections documentation, archival organization, historic paint analysis, historic landscape inventory and re-design of the barn and old kitchen exhibit and many others. Margo has been successful not only in raising funding for these projects and managing them, but taking care of the day-to-day management of the site. She brought to Stenton the professionalism and background required to position Stenton for the future. Thank you, Margo.

 

Recent Acquisitions

One of the most exciting things that has happened this past year is the gift to Stenton of a Pennsylvania walnut commode chair by Deborah Lutman Paul (in memory of her son, Christopher Greene Lutman, who died May 10, 2000) and her sister, Sally Smith, now of Jamestown, Rhode Island. Both ladies are "old Stenton hands." Deborah Paul ran the Stenton gift shop, and Sally Smith's endless toil on Stenton's history and the Logan family genealogy created a resource of knowledge which serves a foundation for the current interpretation of the house.

The early Queen Anne commode chair is a rare form, having a wide, solid, vasiform splat and a yoke-shaped crest rail. Inscribed vasiform baluster turnings support the ogee-shaped arms. The diminutive cabriole legs terminate in slipper feet, which have a tongue motif up to the ankle. The feet are the same type as those found on James Logan's easy chair, now privately owned (See Lindsey, Worldly Goods, PMA, 1999, figure 105.) The deeply scalloped skirt once hid a probably pewter chamber pot, no longer part of the chair.

The chair has a Logan/Smith provenance, having descended in the Smithfamily line, and could very well have belonged to James Logan. James recorded in a letter, "Because of my infirmities, my wife and I are now lodged in the first floor bedchamber." Thus, the first floor lodging room is the perfect place for the commode chair. It is exhibited in front of the fireplace, a spot it could have occupied in the eighteenth century. This beautiful and sculptural chair certainly adds to the interpretation of the first floor lodging room. Stenton and the NSCDA/PA will be forever grateful to the Smith family for their generosity.

In consultation with the Philadelphia Museum of Art, the NSCDA/PA commissioned a reproduction photograph on canvas of the portrait of George Logan by Gilbert Stuart. The original, painted in 1800, is part of the collection of the Historical Society of Pennsylvania, from whom Stenton must renew display privileges every ten years. The copy hangs over the fireplace in the Blue Lodging Room, which greatly enhances the interpretation of Deborah Logan's "apartment in the library," where she would have gazed affectionately at the husband she adored.

The NSCDA/PA also purchased an English eighteenth-century flute to represent the Logan family interest in music to which Deborah Logan so often alludes in her diary. Money from the Mary Ann Bridger Fund made the purchase of the flute possible, and thus the flute is a gift to the NSCDA/PA collection at Stenton in her memory.

 

Stenton is Prepared!

There is an old scouting motto, "Be prepared." With the generous assistance of the Conservation Center for Art and Historic Artifacts and the William Penn Foundation, Stenton has been taking this advice at face value. Over the last several months, staff and consultants have been collecting and organizing information for an Emergency Preparedness Manual, which will help to ensure that should anything unfortunate happen on site, we are prepared to deal with it as effectively as possible.

Former Stenton Director, Margo Burnette, Committee member Jane Foster Willson, Sally Congdon and her assistant Kierstin Zetterberg, as well assecond year Penn Historic Preservation student, Kathleen Forrest, worked on the project. The team reviewed many issues. Whom should we call if the heating plant goes out? Who is the Philadelphia expert on salvaging 18th-century furniture? What objects should be salvaged as the highest priority? All of these questions need to be answered beforehand so that in the event of an emergency valuable time is spent on salvaging the collection and the house.

While we hope that the Emergency Plan is never put into action, friends and supporters of Stenton should be pleased that although unexpected events do happen, good preparation often allows the mitigation of their worst aspects.

 

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